Vol. 1 No. 3 (2022): enero-marzo 2022
Reseñas

Analysis of the Monument to Ignorance: the "Mono Bichi" and its counterculture: el "Mono Bichi" y su contracultura

Bianca Rebeca Camacho Yocupicio
Estudiante
Imagen de portada

Published 2022-01-31

Keywords

  • Nogales,
  • Counterculture,
  • Mono Bichi,
  • Monument to Ignorance,
  • Oppression

How to Cite

Camacho Yocupicio, Bianca Rebeca. 2022. “Analysis of the Monument to Ignorance: the "Mono Bichi" and Its Counterculture: El ‘Mono Bichi’ Y Su Contracultura ”. Bloch. Revista Estudiantil De Historia 1 (3):166-70. https://revistabloch.uanl.mx/index.php/b/article/view/54.

Abstract

At the time of the counterculture in the city of Nogales, Sonora a sculptor artist, Alfredo Just Gimeno exiled from the Civil War, decides to pay tribute to the city through statues which were part of a project to re-modernize the city, creating a "new American philosophy of liberation" leaving aside traditionalist thought and obedience of conservative social canons.

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References

  1. Bernabé, J.. (diciembre 19, 2008)., “Alfredo Just Gimeno Memorial n.º 32285398 (28 Feb 1900–7 Ago 1966)”. Find a Grave, City of Nogales Cemetery, Nogales, Santa Cruz County, Arizona, EE. UU. Recuperado el 27 octubre, 2020, de https://es.findagrave.com/memorial/32285398/alfredo-just_gimeno
  2. BORDERLORE. (2008). “El Mono Bichi” or “Monumento a Juárez”., From the Archives. Recuperado el 27 octubre del 2020, https://borderlore.wordpress.com/2008/11/01/32/
  3. José A. (1996). La contracultura en México, Contracultura. La generación de la posguerra. Debolsillo.
  4. Palma, M.. (2003). “Destierro y encuentro. Aproximaciones al exilio latinoamericano en México 1954-1980”. OpenEdition Journal, Amérique Latine, Histoire & Mémoire, 7, 1- 83. https://journals.openedition.org/alhim/363#text
  5. Spotify, S. (2018). La sociedad en movimiento [Grabado por Comps. Spotify, Rolling Stone y Cultura UNAM]. Ciudad universitaria, UNAM, México.